Portfolio

between the year 2018-2019, I took half a year to create the Japanese garden in my backyard, that's my artwork. You will see how to finish it from beginning.

This series consists of metaphorical sculptures centered on the image of the black bird. The sculptures are made of resin.
In this series, I deliberately remove human beings—the usual protagonists—from the sculptures. The scenes appear to depict what happens after people have left. For example, a black bird pecks at a tarot card lying on the ground, while a discarded cigarette butt left behind by humans remains nearby. These scenes seem to suggest a sense of misfortune, uncertainty, and an unknown underlying unease.
In another work, black birds stand on top of garbage discarded by humans. The scene appears abandoned and desolate, yet the composition resembles a traditional Chinese landscape or flower-and-bird painting.
There are also two black birds fighting over a piece of women's underwear. The birds themselves do not know what the garment is, but when these unrelated elements are placed together, they seem to create another kind of intuitive association—one that subtly suggests sexuality.
In another sculpture, a black bird stands on top of a clown doll abandoned on a seaside beach, partially buried by drifting sand. In one of the sculptures, a small bird stands on a branch, while an abandoned newspaper lies on the ground below. The newspaper features an image of former U.S. President Barack Obama and content related to the South China Sea conflict. The overall composition resembles a traditional Chinese flower-and-bird painting or a bonsai arrangement.
The absurdity and incongruity of these elements are precisely intended to depict a landscape in which humans have withdrawn from their central role. Objects associated with human beings are used to reflect and suggest the life of contemporary society.

These oil paintings are original works created by me, with some pieces also available as commissioned works.

I have been working in sculpture for more than 20 years. This series focuses on realistic portrait sculpture commissions as well as original works in realistic sculpture.
My practice explores the human figure and portraiture through a realistic sculptural approach, with particular attention to anatomy, expression, character, and individual presence.
I also accept commissions for custom realistic sculptures, including portrait sculptures created from photographs and personalized sculptural works.

This work is composed of numerous square transparent acrylic panels. Hemp ropes connect and suspend the individual panels, forming an extended composition reminiscent of the format of a traditional Chinese landscape scroll painting.
Each acrylic panel contains a series of irregular yet continuous openings. These voids suggest an unknown symbolic language, while also evoking fragments that have been lost, erased, or are missing. The landscape imagery on the acrylic surfaces is created through high-temperature etching. The resulting images are incomplete, fragmented, and interrupted by areas of absence and emptiness.
The work draws upon the visual language of traditional Chinese landscape painting while disrupting its continuity through fragmentation, loss, and blank space. These missing and empty areas function as metaphors for the uncertainties and cultural dilemmas of contemporary China, raising questions about cultural memory, inheritance, disappearance, and the reconstruction of identity.

This work is a sculptural installation constructed as a bird’s-eye view of an interior space. Built from wood and presented vertically on the wall like a painting, the installation invites the viewer to look down into the room from an elevated, almost omniscient perspective.
At the center of the space is a sculptural figure of a young man, whose state remains ambiguous: he appears to be awakening in the early morning from a dream, or perhaps still suspended within a nightmare. The boundary between waking reality and the dream world is intentionally left uncertain.
A small television monitor within the installation displays a live image of the viewer. A miniature camera, concealed in the upper part of the work, captures the viewer in real time. As the audience observes the young figure and attempts to interpret his dreamlike or nightmarish state, their own image simultaneously appears on the monitor, placing them unexpectedly within the work itself.
The relationship between observer and observed is therefore reversed and destabilized. While the viewer looks down into the room from an imagined position above, as if viewing the scene from the ceiling, the work also looks back at the viewer. Reality, dream, observation, and participation gradually overlap, transforming the act of viewing into part of the installation itself.

This artwork is composed of colored kraft paper applied to a wooden panel, with a chair-shaped form made of resin.
The circular opening in the back panel creates a passage into another space, revealing a dreamlike image beyond and opening up an imagined, surreal dimensionThe chair gradually disappears into the background. A circular opening in the background reveals the white wall behind it, seemingly opening up another space beyond the artwork.

This artwork is composed of resin, a television monitor, a DVD player, and found objects.
A naturally shaped stone is recreated and colored using resin, with real moss attached to its surface to enhance its sense of realism. Embedded in the center of the stone is a television monitor displaying continuously changing video images of reflections of urban architecture on water.
A small found-object figure of an elderly man sits by the water’s edge, quietly fishing.
The inspiration for this work comes from a Zen story I encountered titled Watching Reflections by the Water. The scene reflects an Asian cultural understanding and wisdom concerning time and life, inviting contemplation on the fleeting nature of existence, perception, and the passage of time.

The dimensions of this artwork are variable. （200cm X200cmX160cm) The installation is composed of kraft paper, aluminum sheets, and LED lights.
The wrinkled and painted kraft paper is shaped to resemble lotus leaves in a winter pond. Small pieces of aluminum are arranged to create the visual effect of rippling water. Yellow LED lights placed on the ground evoke the reflection of the moon on the water. From different viewing angles, the aluminum pieces reflect light differently, creating a shimmering, sparkling effect reminiscent of light dancing on the surface of water.